Ableton live demonstration12/13/2023 Tweak the Release parameter of the compressor, and the threshold if you need to adjust the timing of the pulsing sidechain.ĭon’t stop there. On the straight chain add a Drum Buss, to boost the sound of the straight kick. Try adding a resonator preset, “Moscow”, for example. Try putting an overdrive onto the reverb (it must go before the compressor). Of course, this is the most basic example of this effect so why not explore by adding more effects. You should now hear the initial kick sound nice and clear, then after 200ms the reverb. It’s time to add the kick back in.Ĭreate a chain in the rack and call it Straight. So, now we have some basic whooshing noises. Now, turn off the headphones and slowly raise the Threshold to around -30dB it will sound like this: Create the straight chain When setting the EQ for this technique you always want to focus on hearing the top click of the 606 kick sound, because that will give us the best and quickest trigger. Now activate the little headphones next to the Sidechain button, you’ll hear the kick drum pattern (if it’s playing) – and now activate the EQ Then turn on side-chain and choose the source of “Drum Tricks”: In the compressor, click the little arrow in the top left of the Compressor device, which will fold out the sidechain controls. What you will hear is a 100% wet whooshing massive reverb! Now – so we can simply explore the techniques lets add a big reverb, search the library for the preset “warm reverb long” and put that before the compressor in the rack chain. Not too exciting yet, so in the next stage we’ll get more crazy. Put it in the Drum rack and make it play a basic kick pattern.Īdd a compressor after the Drum Rack and group it into a rack, name the chain “Effect” then set the Compressor up as follows:Īt the moment we have no side-chain set up, and no “effect” happening, what we have so far is a totally crushed kick drum which is very quiet. Now search the core Ableton library and find a sample from the Ableton core pack named “Kick 606”. Step by StepĬreate a MIDI track and call it “Drum Tricks” and add a Drum Rack to that track. But if we can fade that reverb in whenever the kick is not sounding, then the kick and effect are kept separated. That is usually a really bad idea – because it will turn that kick into a mush. We are going to explore putting a massive reverb on your kick. Let’s make a simple example, so you can explore and understand the core technique. Then we hear the same kick and snare with those side-chained effects turned off. In this audio preview first we hear the kick and clap with the inline sidechained effects. By putting inline sidechains on sounds we can keep the mix tight but design sounds which are unique. Imagine a kick drum where only the tail is distorted, and imagine a snare which has lots of echo but you want it to stay punchy in your mix. So if we carefully use side-chain on those effect sounds we can apply intense distortions or tone shaping only where needed – and create great new sounds. It’s possible to go further adding wild effects to your kicks such as flanging distorted reverbs, which would normally be a disaster and overwhelm the kick itself. Using sidechain you can shape the origin sound this way. Now imagine a massive reverb on a snare: it might be good to turn that reverb down when the snare plays to stop it becoming muddy, then turn it back up after the hit. Using sidechains to shape the origin sound seems strange because usually you’d use sidechaining to duck the bass when the kick plays. We affect the origin sound, rather than another sound. We can use sidechaining to adjust the levels of any effects we apply to sounds. We usually side-chain one track against another, but we can side chain a track against itself! Or more accurately we can use a trigger on a track to affect the volume of effects on that same track to create unique effects. Get weird deep evolving sounds, kick drums, and self-sidechaining snares. How about an inline side-chained distortion on a kick’s reverb? These sidechain secrets help you create amazing unusual sounds. However, you can sidechain for other effects too. Sidechain compression is a topic most producers know: for example sidechaining a kick against a bass.
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